San Diego's Jazz 88.3

Martin Luther King Jr. believed that Jazz was the soundtrack to the Civil Rights era. He loved Jazz and appreciated its cultural significance and its connection to his dream. Tune in to KSDS-FM and Jazz88.org This Monday at 7AM (Pacific) to celebrate the life and work of Dr. Martin Luther King Jr.. Music related to the civil rights movement will be heard all day- Max Roach's "Freedom Now, We Insist," Oliver Nelson's "Black, Brown and Beautiful" and Sonny Rollins' "Freedom Suite," to name a few as well as commentary from San Diego resident and Jazz Legend, Charles McPherson and other historical vignettes.

KSDS is airing an exclusive Sinatra Birthday Celebration all weekend (December 11 & 12) beginning at 10AM. It is a very special fundraising broadcast. It's an in-depth overview of Frank's career including all the classic recordings for Columbia, Capitol and Reprise- plus, many extremely rare recordings including radio and live concert footage. There are interview segments as well and lots of surprises and Sinatra-related thank you gifts. You are not going to want to miss one minute of this very special fundraising broadcast. It's Sinatra's life and career told through music and stories.

The San Diego Rep announces  'Mother Road' running now through October 31st on the Lyceum Stage. It is an epic story of land and legacy inspired by the mythic journey taken in John Steinbeck’s The Grapes of Wrath. Playwright Octavio Solis, one of the most prominent Latinx playwrights in our country, shares his powerful story which explores the intersection of people and cultures in America today. For more information or tickets you can e-mail the SD Rep Box Office or call 619-544-1000.
 

October 11, 2021- Today's Topic: Salute to the Americas

Today we focus on a number of jazz greats who came from various areas of Latin America ,some of which are not necessarily associated with the specific style of their region.

Last week we devoted an entire day to Bossa Nova which came from Brazil. There were a number of other jazz musicians who came from South America that wasn’t part of the Bossa
Nova scene. Astor Piazolla came from Argentina and is one of the music’s greatest composers. Gato Barbieri is Argentina’s most well known saxophonist. He made a major impact in the
United States with recordings and film work.

Lalo Schifrin was born in Buenos Aires and became a significant jazz pianist as well as a legendary composer and arranger. Besides his work in the jazz field he is well known for his
film and television work including some of the most memorable television themes of all time.

Another of the great jazz composers and arrangers was Manny Albam who was born in the Dominican Republic. He paid tribute to his homeland with a 1950 composition for Stan
Kenton called Samana and a 1949 piece for Charlie Barnet called Pan Americana. A number of great jazz musicians were born in Puerto Rico including Juan Tizol and David Sanchez. Juan Tizol is an early pioneer who became an important member of the Duke Ellington Orchestra and is most well known for his composition Caravan. He also contributed some early latin influenced scores to the Ellington Orchestra including Congo Brava and Moon Over Cuba.

October 8, 2021- Today's Topic: Flamenco Jazz

American jazz was first introduced to audiences in Spain when Sam Wooding performed in Barcelona and Madrid in the 1920s. Spanish musicians were first influenced by New Orleans style jazz.

In 1934 Spain’s first jazz club opened in Barcelona but in 1936 the Spanish Civil War put an end any inroads being made at the time. There was a movement to eliminate western ideas 
from the country which resulted in a censorship that discouraged any further developments.

By 1946, things began to change and two “Hot Clubs” opened, one in Barcelona and one in Madrid.

Eventually there was a fusion of Flamenco music and american jazz which led to the Flamenco Jazz style.

Pedro Iturralde is the Spanish musician most associated with Flamenco-jazz. Several american jazz musicians became interested in Flamenco and experimented with it. The most prominent was Miles Davis.

Miles Davis became interested in flamenco music in the late 1950s which led to the classic Miles Davis-Gil Evans Sketches of Spain. Other american artists that incorporated Spanish elements into recording projects included Lionel Hampton, Jim Hall, Chet Baker, Bill Holman and Chick Corea.

October 7, 2021- Today's Topic: Bossa Nova

Prior to the success of Bossa Nova in the nineteen sixties, most popular latin styles in the United States had been linked to popular dances: The Tango, Rhumba, Mambo and the Cha 
Cha Cha.

Bossa Nova was the marriage of American jazz and the samba rhythm from Brazil and based on musical concepts not related to a specific dance style.

The roots of Bossa Nova happened in Los Angeles in 1953 when Bud Shank, Laurindo Almeida, Roy Harte and Harry Babasin experimented with Samba Rhythms at Harte’s Drum 
City Music Shop. Alamieda and Shank had been together on Stan Kenton’s band a few years earlier. 

They experimented with adding samba rhythms to some of Laurindo’s melodies and it resulted in several groundbreaking albums released on Pacific Jazz. It didn’t have a huge impact in the United States at the time but a number of young musicians in Brazil coveted those records along with other west coast artists including Gerry Mulligan and Chet Baker.

One of those young Brazilians was Antonio Carlos Jobim. It was Jobim along with Joao Gilberto who became the key figures of Bossa Nova.

During a 1961 tour, guitarist Charlie Byrd heard this music in Brazil and told Stan Getz about it when he returned. They went into the studio in 1962 and recorded an album called Jazz 
Samba which became a huge hit in the United States. It launched the Bossa Nova craze in this country and opened the door for Jobim, Gilberto and his wife Astrud Gilberto to introduce 
Bossa Nova to the world.

The music has been largely defined by the compositions of Jobim who left a legacy of over 300 songs including Desafinado, One Note Samba, Corcovado, Wave and The Girl from Ipanema.
Bossa Nova was so popular in the early sixties that almost every jazz artist made a bossa nova album or at the very least recorded a bossa nova tune.

October 6, 2021- Today's Topic: The Latin Jazz of the Hard Bop Era

Beginning in the nineteen fifties a number of well known jazz musicians recorded albums with a latin theme. 

Ray Barretto appeared on numerous Blue Note, Riverside and Prestige sessions throughout the fifties and sixties and was more or less the house latin percussionist. His conga drum 
provided a latin feel to many recordings by Lou Donaldson, Gene Ammons, Red Garland, Eddie Lockjaw Davis, Herbie Mann, Horace Parlan, Ray Bryant, Oliver Nelson and many more.

Today we focus on a variety of latin themed recordings including such classics as Kenny Dorham’s 1955 album titled Afro-Cuban that features Carlos Patato Valdes.

Art Blakey and the Jazz Messengers 1957 albums Orgy in Rhythm and Cu-Bop both featuring Sabu Martinez. Red Garland’s Manteca. A 1958 session for Prestige with Ray Baretto.Herbie Mann’s 1959 Flautista with Patato Valdes and Jose Mangual. The Jazz Crusaders Chili Con Soul from 1965 with Carlos Vidal plus individual tracks by Horace Silver, Billy Taylor, Donald Byrd, Wes Montgomery, Joe Henderson, Grant Green and many more.

October 5, 2021- Today's Topic: Candido

Candido Camero was born in Havana in 1921. His career spanned the entire history of latin jazz in the United States. He lived to the age of 99 and was active almost to the end.

He is considered one of the important pioneers of Afro-Cuban jazz and one of the great innovators of conga drumming.

He became very popular in the United States and became universally known simply as Candido. He appeared often on variety shows like Ed Sullivan and Jackie Gleason which gave 
him exposure to a much bigger audience than most of his contemporaries.

By the time he arrived in New York in 1947 he was already famous in Havana as both percussionist and guitarist.

In Havana he had been a member of Chano Pozo's Conjunto Azul, where he met Mongo Santamaría, who then played bongos. As more and more American jazz musicians started incorporating latin rhythms into their music Candido became very much in demand. He worked with a who’s who including Charlie Parker, Dizzy Gillespie, Billy Taylor, Stan Kenton and countless others.

He was the first to play multiple conga drums. Candido explained that necessity was the mother of invention. He was recruited to perform in New York with a popular Cuban music and 
dance revue that didn't have the budget to take along all of the musicians in the troupe. So he learned to play all the drum parts himself on two drums, then eventually three. As drum manufacturing technology changed, he was able to actually play melodies on drums tuned to specific musical notes.

Candido recorded several outstanding albums as a leader for ABC-Paramount in the late 1950s and early 1960s. In the early 1970s he recorded for Blue Note before joining the dance 
music record company Salsoul.

Candido’s album Inolvidable was nominated for Grammy Award for Best Tropical Latin Album in 2004. He received the National Endowment for the Arts Jazz Masters Award in 2008 and
he received a Latin Grammy Lifetime Achievement Award the following year.

October 4, 2021- Today's Topic: Cal Tjader

Cal Tjader was one of the most well know latin jazz artists of all time and by far the most popular non-hispanic giants of latin music. He was born in St. Louis. His parents were of Swedish decent and were both in show business. They settled in San Mateo where Cal was somewhat of a child prodigy playing drums and tap dancing.

After a stint in the Army he enrolled at San Francisco State and met Dave Brubeck and Paul Desmond. He worked with them in Brubeck’s Octet and eventually a trio format. He taught 
himself to play vibes during this period.

He joined George Shearing in 1953 playing both vibes and bongos. The bassist with Shearing was Al McKibbon who was the bass player with Dizzy Gillespie’s band when Chano Pozo was 
a member. Al learned Afro-Cuban rhythms directly from Chano and encouraged Shearing to include more latin sounds. While the group was in New York, McKibbon took Tjader to see 
Machito and Chico O’ Farrill which had a major affect on him. He also met Mongo Santamaria and Willie Bobo during that same trip.

When he left Shearing he returned to San Francisco and formed the Cal Tjader Modern Mambo Quintet. This led to many albums for the Fantasy label throughout the 1950s. During the sixties he began recording for Verve which led to his biggest hit: Soul Sauce.

In the late seventies Concord Records created a Concord Picante series specifically to record Cal Tjader.

He recorded in a variety of contexts throughout his very prolific career but will always be thought of as one of the most important latin jazz artists in the history of the music.

San Diego Symphony's Jazz curator and trumpet extraordinaire Gilbert Castellanos presents his first concert at The Rady Shell on Sunday, October 24th at 6pm, when he pays tribute to two giants of Jazz and Swing history, John Coltrane and Lee Morgan. It is being billed as "A Swingin’ Affair: Music of John Coltrane and Lee Morgan."  NOTE: Gates will open at 4:30pm for this 6pm concert. Here's a link for ticket information.